In the dream-like House encompassed by a sea, Piranesi is surrounded by beautiful statues, endless halls and even dangerous pathways. While this labyrinthine is the only thing he’s ever known, Piranesi discovers that there’s more to it than he realizes.
The fantasy novel follows the journal entries of Piranesi, a man who lives in a place called the House comprising infinite vestibules, intricate statues, and even an ocean that sweeps back and forth in it. Being the sole inhabitant of the House – besides an occassional visitor he calls the Other whom he does research with—he explores and takes notes of every nook and cranny of it in his journal. From the tidal patterns to the skeletons and statues, Piranesi has great respect for this World—but things start getting fishy about the only place he’s ever known, and we’re not talking about the ones he catches for food.
Like the House, the prose itself is beautiful—Clarke somehow makes statues and fishing sound intriguing. Although many fantasy books can have complicated world-building that can confuse or bore readers, Clarke’s descriptions are delightfully entrancing. From Piranesi’s journal entries, his appreciation and awe for the House is more than conspicuous, calling himself the “Beloved Child of the House.” It’s akin to how many people often view religion:Read More »